![]() ![]() This results in a nightmare in post production when I try to cut from one camera to another. They’re all great cameras but unfortunately they all produce a slightly different image. New problem I found now is whenever I work with my URSA Mini Pro but I also throw in the mix as B cameras the older URSA Mini 4.6K and the brand new Blackmagic Pocket Cinema Camera 4K. Along with some fixes in the shadows to keep the noise levels down. This new version fixes a few issues I found specially with really saturated cyan colors that used to brake down with my first generation LUT. It has been 3 years and since then I have created several more versions of my LUT. That is why I created my custom LUT that I used both in the camera but also as a starting point in post production grading. ![]() I found it simply doesn’t show if I am in fact blowing out the highlights or crashing the blacks too much. This is specially annoying when using a LUT in one of the Blackmagic cameras for proper viewing so you can pull focus and judge the exposure. The LUTs that Blackmagic provides are too contrast and they lose all the details in the highlights and shadows. If you’re a Blackmagic Design camera shooter and you are also using the Blackmagic LUTs for converting the LOG footage into proper video then you probably ran into the same problem as I have. This new version is improved in many ways. I have been busy updating my custom URSA Mini LUT that I first posted online in 2016 after using it on a Bollywood feature film I shot that same year. ![]()
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